29th Sep 201414:09496 notes

Isis Pterophor, from the sarcophagus of Ramesses III (c.11854-1153 BC) from his tomb in the Valley of the Kings, New Kingdom (pink granite), Egyptian 20th Dynasty (1200-1085 BC) / Louvre, Paris, France / Giraudon / Bridgeman Images
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~   Rainer Maria Rilke, “Lösch mir die Augen aus: ich kann dich sehen,” Rilke’s Book of Hours: Love Poems to God, trans. Anita Barrows and Joanna Macy (Riverhead Books, 1996)

(via crystlllrain)


Based in Rotterdam, Netherlands, Anouk Griffioen creates haunting, mural-scale charcoal drawings that offer glimpses into lush, overgrown places where humanity and nature seamlessly connect. The human subjects of her work are merely guides for viewers to immerse themselves in the sublime landscapes. It’s as if Griffioen is inviting her viewers to imagine themselves as her often faceless characters. There is a fashion-conscious aspect to her work as well: the svelte, model-like bodies strike casual yet glamorous poses, wearing smartly tailored outfits that camouflage with their surroundings. Read more in Hi-Fructose


Charles Nègre (1820-1880) photographer  ”Le Silence” ou “Le Mystère de la mort”  Sculpture d’Auguste Préault en 1858  épreuve photomécanique (héliogravure)
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we’ve all had days like this
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Impressão em papel fotográfico 
Medida 30 cm x 45 cm
tiragem aberta
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Take The Road to Bresson in a one-hour documentary.
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Nikolai Tsiskaridze trained by Galina Ulanova. Photo by Mikhail Logvinov.
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Georgia O’Keeffe (Hands) by Alfred Stieglitz
"In 1919 Stieglitz fashioned this photograph of Georgia O’Keeffe’s – his wife’s – hands. 87 years later an original print sold for $1,470,000.”
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Tibetan musical score
25th Sep 201402:17516 notes

Ἁγία Μαρίνα
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Opaque  by  andbamnan